PRESERVATION OF ENDANGERED TRADITIONAL & INDIGENOUS RITUAL MUSIC & DANCE FORMS, RELATED ORAL EXPRESSION AND CRAFTSMANSHIP THAT CUT ACROSS THE ETHNIC DIVIDE IN SRI LANKA

This is a project that proposes to collect and document in digitized video format, the varied and complementary forms of traditional ritual dance and performances along with their oral traditions, crafts and craftsmanship. The craft component includes the creation of distinctive traditional dance ornaments, décor, costumes and drums. The living socio-cultural traditions within which these practices still survive will also be documented as the essential ways of life that nurture and sustain these vanishing traditions. The main communities and cultural practices targeted by this project are the following:
  1. Upcountry Kandyan dance forms, related oral expression and craftsmanship,
  2. North-Eastern Tamil drama, and related practices,
  3. Adivasi (Indigenous) rituals, cultural activities, the relatively neglected areas of the Polonnaruwa and Batticloa district,
  4. Southern dance - drama ritual performance in the Kolam drama tradition.
This project is funded by the U.S. Ambassadors Fund for Cultural Preservation (AFCP).

Kolam Dance Drama

The ritualistic mask dance performance in the Southers dance tradition is known as Kolam. Kolam is commonly used in the day today parlance throughout Sri Lanka which connotes some comical, crazy or unusual behaviour which

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Kohomba Kankariya

Upcountry Kandyan dance encompasses various dance forms native to the area called Kandy of the central hills region in Sri Lanka. According to the legend, the origins of the dance lies in dance ritual known as the Kohomba kankariya.

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Kooththu Drama in Batticaloa

Kooththu means dance or performance in Tamil and is a folk art originated from the early Tamils. But more precisely Kooththu refers to Therukoothu. That is street dance or street play or street drama since it will be performed

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Adivasi Rituals

"Vedda" is a Dravidian word meaning "hunter." Contemporary Vedda culture is strongly marked by prolonged interaction both with the Sinhalese and with the Tamils.The Bintenne Veddas engage in many Different

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